Admission free

Lili Boulanger D’un Matin de Printemps

Dora Pejačević Violin Sonata Op. 26 “Spring”

Katie Balch Iaspis

Cesar Franck Violin Sonata in A Major

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), makes his long-awaited debut with Orpheus. He navigates the emotionally and physically draining Wanderer Fantasy in a newly commissioned orchestration that updates Liszt's concerto version. Hamelin is himself a formidable pianist-composer, as heard in the rich counterpoint of his Passacaglia, and the unflinchingly honest final sonata from Schubert allows the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), makes his long-awaited debut with Orpheus to perform Mozart’s sparkling Piano Concerto No. 12. A new orchestration from Beethoven's "Tempest" sonata and the unflinchingly honest final sonata from Schubert allow the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), makes his long-awaited debut with Orpheus. He navigates the emotionally and physically draining Wanderer Fantasy in a newly commissioned orchestration that updates Liszt's concerto version. Hamelin is himself a formidable pianist-composer, as heard in the rich counterpoint of his Passacaglia, and the unflinchingly honest final sonata from Schubert allows the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), makes his long-awaited debut with Orpheus. He navigates the emotionally and physically draining Wanderer Fantasy in a newly commissioned orchestration that updates Liszt's concerto version. Hamelin is himself a formidable pianist-composer, as heard in the rich counterpoint of his Passacaglia, and the unflinchingly honest final sonata from Schubert allows the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), makes his long-awaited debut with Orpheus to perform Mozart’s sparkling Piano Concerto No. 12. A new orchestration from Beethoven's "Tempest" sonata and the unflinchingly honest final sonata from Schubert allow the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), shares the stage with Orpheus in his first appearance at the Hop. He navigates the emotionally and physically draining Wanderer Fantasy in a newly commissioned orchestration that updates Liszt's concerto version. Hamelin is himself a formidable pianist-composer, as heard in the rich counterpoint of his Passacaglia, and the unflinchingly honest final sonata from Schubert allows the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Pianist Vassily Primakov, violinist Isabelle Durrenberger and cellist Ani Kalayjian join together for a searing trio by Rachmaninoff.

A pianist in the grand romantic tradition, Vassily Primakov has established himself as one of the world’s most individual and yet authoratative interpreters of Chopin and Rachmaninoff. He joins rising star violinist Isabelle Ai Durrenberger and cellist/co-artistic director Ani Kalayjian for a program centered on Rachmaninoff’s searing and mystical Piano Trio in G minor.

Wolfgang A. MOZART  Duo for Violin and Viola in G major, K. 423 (1783)
Isabelle Ai Durrenberger, violin; Marcus Thompson, viola

Alexander von ZEMLINSKY  Trio in D minor for Clarinet, Cello and Piano, Op. 3 (1896)
Romie de Guise-Langlois, clarinet; Raman Ramakrishnan, cello; Max Levinson, piano

Antonín DVOŘÁK  Piano Quartet in E-flat major, Op. 87 (1889)
Isabelle Ai Durrenberger, violin; Marcus Thompson, viola; Raman Ramakrishnan, cello; Max Levinson, piano

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), shares the stage with Orpheus in his first appearance at the Hop. He navigates the emotionally and physically draining Wanderer Fantasy in a newly commissioned orchestration that updates Liszt's concerto version. Hamelin is himself a formidable pianist-composer, as heard in the rich counterpoint of his Passacaglia, and the unflinchingly honest final sonata from Schubert allows the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), shares the stage with Orpheus in his first appearance at the Hop. He navigates the emotionally and physically draining Wanderer Fantasy in a newly commissioned orchestration that updates Liszt's concerto version. Hamelin is himself a formidable pianist-composer, as heard in the rich counterpoint of his Passacaglia, and the unflinchingly honest final sonata from Schubert allows the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Violinist and Gramophone Young Artist of the Year Stella Chen ventures into the sultry, scintillating tango atmosphere of Piazzolla’s Four Seasons of Buenos Aires. Tune into hidden nuances in the wondrous counterpoint of Bach’s Goldberg Variations, and let the richness of the Orpheus strings carry you on a timeless reverie through Villa-Lobos’ Aria from Bachianas Brasilieras No. 5.

Violinist and Gramophone Young Artist of the Year Stella Chen ventures into the sultry, scintillating tango atmosphere of Piazzolla’s Four Seasons of Buenos Aires. Tune into hidden nuances in the wondrous counterpoint of Bach’s Goldberg Variations, and let the richness of the Orpheus strings carry you on a timeless reverie through Villa-Lobos’ Aria from Bachianas Brasilieras No. 5.

Violinist and Gramophone Young Artist of the Year Stella Chen ventures into the sultry, scintillating tango atmosphere of Piazzolla’s Four Seasons of Buenos Aires. Tune into hidden nuances in the wondrous counterpoint of Bach’s Goldberg Variations, and let the richness of the Orpheus strings carry you on a timeless reverie through Villa-Lobos’ Aria from Bachianas Brasilieras No. 5.

Violinist and Gramophone Young Artist of the Year Stella Chen ventures into the sultry, scintillating tango atmosphere of Piazzolla’s Four Seasons of Buenos Aires. Tune into hidden nuances in the wondrous counterpoint of Bach’s Goldberg Variations, and let the richness of the Orpheus strings carry you on a timeless reverie through Villa-Lobos’ Aria from Bachianas Brasilieras No. 5.

Art Bath's signature eclectic programming casts a spotlight on female voices and genre-bending music and opera.

Featuring:​

Lisel | Experimental Vocalist and Composer

Matthew Jamal |  Composer and Cellist

Isabelle Ai Durrenberger | Violinist

Dual Rivet | Contemporary dance duo

Matthew Steffens | Choreographer
Luc Xu Cheng | Pianist
Jasmine Rice Labeija | Drag diva, operatic tenor

Machine Dazzle | Designer, Performance Artist, Painter

Art Bath's signature eclectic programming casts a spotlight on female voices and genre-bending music and opera.

Featuring:​

Lisel | Experimental Vocalist and Composer

Matthew Jamal |  Composer and Cellist

Isabelle Ai Durrenberger | Violinist

Dual Rivet | Contemporary dance duo

Matthew Steffens | Choreographer
Luc Xu Cheng | Pianist
Jasmine Rice Labeija | Drag diva, operatic tenor

Machine Dazzle | Designer, Performance Artist, Painter

An exhilarating evening of timeless music by Bach and Vivaldi! Experience the icy intensity and vivid imagery of Vivaldi’s Four Seasons “Winter” followed by the elegance and virtuosity of three magnificent violin concertos by J. S. Bach. From shimmering textures to breathtaking melodies, this program promises both emotional depth and electrifying energy — an unforgettable night of chamber music!

Artists:

Doori Na, Isabelle Durrenberger, Karla Donehew Perez, Min-Young Kim,violin

Tanner Menees, viola

Mihai Marica, cello

Maggie Cox, bass

Eliot Goldmund, harpsichord

A Holiday Soirée with the Aeolus Quartet!

Celebrate the season with music, connection, and joy at this intimate chamber concert on Sunday, December 7. Hosted by Karen and Cliff Deveney in their lovely Eastmoreland home, this private gathering features the acclaimed Aeolus Quartet, including audience favorite Isabelle Ai Durrenberger, returning fresh from our Summer Festival.

Experience the magic of live chamber music in this up-close-and-personal setting—the same way it was originally heard. Enjoy seasonal fare, festive drinks, and community with fellow music lovers, knowing that every dollar of your ticket purchase gives back. All proceeds support CMNW’s free Education & Community Engagement programs, bringing the joy of music to underserved communities throughout our region. 

QUARTET IN SPOTLIGHT

Beethoven String Quartet No. 1 in F major, Op. 18, No. 1‍

Bacewicz String Quartet No. 3

INTERMISSION‍

Dvořàk String Quartet No. 13 in G major, Op. 106

The award-winning Aeolus Quartet, makes their ECM debut with a vibrant program featuring Beethoven, Bacewicz, and Dvořák. Dedicated to sharing the joy of chamber music with new audiences, their highly anticipated performance will be a memorable evening of luscious string quartet music.

LATE NIGHT SESSION

Beethoven String Quartet No. 1 in F major, Op. 18, No. 1‍

Bacewicz String Quartet No. 3

INTERMISSION‍

Dvořàk String Quartet No. 13 in G major, Op. 106

The award-winning Aeolus Quartet, makes their ECM debut with a vibrant program featuring Beethoven, Bacewicz, and Dvořák. Dedicated to sharing the joy of chamber music with new audiences, their highly anticipated performance will be a memorable evening of luscious string quartet music.

Michael Brown, piano

Jennifer Frautschi, violin

Isabelle Durrenberger, violin

Milena Pajaro-van de Stadt, viola

Brannon Cho, cello

Sooyun Kim, flute

Roni Gal-Ed, oboe

Vadim Lando, clarinet

Karl Kramer, horn

Gina Cuffari, bassoon

Michael Brown, piano

Jennifer Frautschi, violin

Isabelle Durrenberger, violin

Milena Pajaro-van de Stadt, viola

Brannon Cho, cello

Sooyun Kim, flute

Roni Gal-Ed, oboe

Vadim Lando, clarinet

Karl Kramer, horn

Gina Cuffari, bassoon

Georg Muffat | Passacaglia 
Lembit Beecher | “These Memories May be True,” arr for string orchestra 
Adolphus Hailstork | Sonata da Chiesa
Béla Bartok | Divertimento for String Orchestra

Curated by Crier Miki Cloud

Lineage traces a line through history, family, and transformation. This is a program about what remains true within the histories we don’t just recall, but build on.

We begin with Georg Muffat’s Passacaglia, a baroque masterpiece built on unceasing variation—a musical form that grounds the listener even as it evolves. Lembit Beecher’s These Memories May Be True, reimagined for string orchestra, explores the murky space between fact and family folklore, where meaning lives not in accuracy but in transmission. Hailstork’s Sonata da Chiesa reflects the composer’s fascination with cathedrals, particularly the one (the Cathedral of All Saints in Albany, New York) in which he was a chorister as a child. And Bartók’s Divertimento for String Orchestra, the first major work ever performed by A Far Cry, returns not as nostalgia, but as a touchstone—vivid, visceral, and alive.

Program

W. A. Mozart Horn Concerto No. 2 in Eb Major, K. 417

Jason Bauch 'Thus Spake Rabbi Elazar for string quartet (1988)

Frederic Chopin Ballade in F minor, Op. 52

--intermission--

Antonin Dvorak Piano Quintet in A Major, Op. 81

The North Country Chamber Players have adopted a “Pay-What-You-Wish” ticket pricing for concerts. Seating is limited, so attendees are asked to make free online reservations.
The recommended ticket price is $25, payable at the door, but there is no minimum ticket price required for entry.

Program

W. A. Mozart Horn Concerto No. 2 in Eb Major, K. 417

Jason Bauch 'Thus Spake Rabbi Elazar for string quartet (1988)

Frederic Chopin Ballade in F minor, Op. 52

--intermission--

Antonin Dvorak Piano Quintet in A Major, Op. 81

The North Country Chamber Players have adopted a “Pay-What-You-Wish” ticket pricing for concerts. Seating is limited, so attendees are asked to make free online reservations.
The recommended ticket price is $25, payable at the door, but there is no minimum ticket price required for entry.

OPENING NIGHT

Join us for the opening night performance of the Chamber Music Festival, which will be performed by a special guest ensemble: the Aeolus Quartet, an internationally-renowned and prizewinning string ensemble consisting of Isabelle Ai Durrenberger and Rachel Shapiro on violin, Caitlin Lynch on viola, and Jia Kim (a Mannes faculty member) on cello. Featuring music by Montgomery, Beethoven, Casarrubios, and Bacewicz, this will be a wonderful evening highlighting one of the leading professional string quartets based in New York City.

Tickets free with registration

Young artists from Caramoor’s Evnin Rising Stars mentoring program perform in a pair of afternoon concerts for which the program’s Artistic Director, cellist Marcy Rosen, is joined by distinguished artists Ani Kavafian, violin, and Becca Albers, viola. These concerts are the capstone of a weeklong residency at Caramoor in which these young musicians participate in workshops, reading sessions, and ensemble rehearsals, culminating in live performances with their mentors. Since 1992, this program has identified some of the finest musicians of the next generation and helped them cross the threshold from their student years into the early stages of a professional career. 

WOLFGANG AMADEUS MOZART: Piano Quartet in g minor K. 478 
DMITRI SHOSTAKOVICH: String Quartet No. 7 
ANTONÍN DVOŘÁK: Sextet in A Major, Opus 48 

Young artists from Caramoor’s Evnin Rising Stars mentoring program perform in a pair of afternoon concerts for which the program’s Artistic Director, cellist Marcy Rosen, is joined by distinguished artists Ani Kavafian, violin, and Becca Albers, viola. These concerts are the capstone of a weeklong residency at Caramoor in which these young musicians participate in workshops, reading sessions, and ensemble rehearsals, culminating in live performances with their mentors. Since 1992, this program has identified some of the finest musicians of the next generation and helped them cross the threshold from their student years into the early stages of a professional career. 

LUIGI BOCCHERINI: Quintet in d minor, G. 280, Op. 13 No. 4
ALBERTO GINASTERA: String Quartet No. 1 
JOHANNES BRAHMS: Piano Quartet in A Major 

Experience the season’s first performance by the intrepid chamber orchestra The Knights, led by artistic directors Eric Jacobsen and Colin Jacobsen. In an inspired new collaboration, they intersperse Philip Glass’s Symphony No. 3—one of the composer’s most traditionally “classical” works—with original poetry by prizewinning poet and multidisciplinary artist J. Mae Barizo. Even in its original form, this would be Carnegie Hall’s first performance of Glass’s symphony—but in the hands of The Knights, it’s something no audience has heard before. In the program’s second half, The Knights perform a timeless orchestral staple: Robert Schumann’s Symphony No. 4, a work of complex dualities and grand Romanticism.