Step into an evening of haunting expressionism and immersive sound with The Cabinet of Dr. Caligari—the iconic silent film brought vividly to life through live music.

Join us for a spellbinding screening of this cinematic masterpiece, featuring a dynamic live score written by Stephen Prutsman. Performed by Marisa, Ignacio and violinists Isabelle Ai Durrenberger and Aimee Lopez, the music heightens every shadow, twist, and psychological turn of the film’s surreal world.

FREE tickets available one week prior.

W.A. Mozart Quartet in D minor, Op. 10, No. 2, K. 421

Grażyna Bacewicz String Quartet No. 3

Antonin Dvořák String Quintet No. 3 in E-flat Major, Op. 97

The Aeolus Quartet returns to Reading with a special guest violinist. The first half of their program will feature quartets of Mozart and Grażyna Bacewicz, a Polish composer whose 3rd Quartet was awarded the Polish Ministry of Culture Award. The Quartet will be joined for Dvorak’s Viola Quintet by the venerable violinist and pedagogue Donald Weilerstein, performing for us on viola — an evening not-to-be-missed!

Memoir is a theatrical musical work by GRAMMY Award-winning composer Steven Mackey and director Mark DeChiazza, exploring the tumultuous 20th century through the eyes of a first-generation American woman in pursuit of the American Dream.

Inspired by the unpublished memoir of Mackey’s mother, Elaine Mackey, Memoir is a visually and sonically captivating reflection on resilience, identity, and the power of storytelling. Scored for the unique combination of string quartet, percussion duo, and narrator, the piece traverses a diverse musical landscape—by turns witty, playful, rich, and profound.

arx duo 
Aeolus Quartet
Natalie Christa Rakes, narrator 

Memoir is a theatrical musical work by GRAMMY Award-winning composer Steven Mackey and director Mark DeChiazza, exploring the tumultuous 20th century through the eyes of a first-generation American woman in pursuit of the American Dream.

Inspired by the unpublished memoir of Mackey’s mother, Elaine Mackey, Memoir is a visually and sonically captivating reflection on resilience, identity, and the power of storytelling. Scored for the unique combination of string quartet, percussion duo, and narrator, the piece traverses a diverse musical landscape—by turns witty, playful, rich, and profound.

arx duo 
Aeolus Quartet
Natalie Christa Rakes, narrator 

Anton WEBERN  Langsamer Satz for String Quartet (1905)
Isabelle Ai Durrenberger, violin; Daniel Dastoor, violin; Marcus Thompson, viola; Raman Ramakrishnan, cello

Felix MENDELSSOHN  Piano Trio in C minor, Op. 66 (1845)
Isabelle Ai Durrenberger, violin; Raman Ramakrishnan, cello; Max Levinson, piano

Ernest CHAUSSON  Piano Quartet in A major, Op. 30 (1897–1898)
Daniel Dastoor, violin; Marcus Thompson, viola; Raman Ramakrishnan, cello; Max Levinson, piano

Imagine a Romantic masterpiece lost to time, unpublished, unrecorded, and unheard since 1897. Incredibly, after two premiere performances that one reviewer said “took nearly everyone by storm,” Boston-based composer Charles Martin Loeffler’s stunning Octet vanished into the archives of the Library of Congress until it was rediscovered in 2020 by CMNW Protégé Project Alumnus Graeme Steele Johnson. After a year reconstructing the score, an all-star ensemble including clarinetists Johnson and CMNW Artistic Director Emeritus David Shifrin, CMNW Protégé Project Alumni violinists Isabelle Ai Durrenberger and Anna Lee, Oregon Symphony bassist Braizahn Jones, and others will bring it back to life, alongside two masterpieces by Claude Debussy. You can be among one of the first audiences to experience Loeffler’s gorgeous Octet in more than 125 years!

Admission free

Lili Boulanger D’un Matin de Printemps

Dora Pejačević Violin Sonata Op. 26 “Spring”

Katie Balch Iaspis

Cesar Franck Violin Sonata in A Major

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), makes his long-awaited debut with Orpheus. He navigates the emotionally and physically draining Wanderer Fantasy in a newly commissioned orchestration that updates Liszt's concerto version. Hamelin is himself a formidable pianist-composer, as heard in the rich counterpoint of his Passacaglia, and the unflinchingly honest final sonata from Schubert allows the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), makes his long-awaited debut with Orpheus to perform Mozart’s sparkling Piano Concerto No. 12. A new orchestration from Beethoven's "Tempest" sonata and the unflinchingly honest final sonata from Schubert allow the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), makes his long-awaited debut with Orpheus. He navigates the emotionally and physically draining Wanderer Fantasy in a newly commissioned orchestration that updates Liszt's concerto version. Hamelin is himself a formidable pianist-composer, as heard in the rich counterpoint of his Passacaglia, and the unflinchingly honest final sonata from Schubert allows the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), makes his long-awaited debut with Orpheus. He navigates the emotionally and physically draining Wanderer Fantasy in a newly commissioned orchestration that updates Liszt's concerto version. Hamelin is himself a formidable pianist-composer, as heard in the rich counterpoint of his Passacaglia, and the unflinchingly honest final sonata from Schubert allows the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), makes his long-awaited debut with Orpheus to perform Mozart’s sparkling Piano Concerto No. 12. A new orchestration from Beethoven's "Tempest" sonata and the unflinchingly honest final sonata from Schubert allow the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), shares the stage with Orpheus in his first appearance at the Hop. He navigates the emotionally and physically draining Wanderer Fantasy in a newly commissioned orchestration that updates Liszt's concerto version. Hamelin is himself a formidable pianist-composer, as heard in the rich counterpoint of his Passacaglia, and the unflinchingly honest final sonata from Schubert allows the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Pianist Vassily Primakov, violinist Isabelle Durrenberger and cellist Ani Kalayjian join together for a searing trio by Rachmaninoff.

A pianist in the grand romantic tradition, Vassily Primakov has established himself as one of the world’s most individual and yet authoratative interpreters of Chopin and Rachmaninoff. He joins rising star violinist Isabelle Ai Durrenberger and cellist/co-artistic director Ani Kalayjian for a program centered on Rachmaninoff’s searing and mystical Piano Trio in G minor.

Wolfgang A. MOZART  Duo for Violin and Viola in G major, K. 423 (1783)
Isabelle Ai Durrenberger, violin; Marcus Thompson, viola

Alexander von ZEMLINSKY  Trio in D minor for Clarinet, Cello and Piano, Op. 3 (1896)
Romie de Guise-Langlois, clarinet; Raman Ramakrishnan, cello; Max Levinson, piano

Antonín DVOŘÁK  Piano Quartet in E-flat major, Op. 87 (1889)
Isabelle Ai Durrenberger, violin; Marcus Thompson, viola; Raman Ramakrishnan, cello; Max Levinson, piano

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), shares the stage with Orpheus in his first appearance at the Hop. He navigates the emotionally and physically draining Wanderer Fantasy in a newly commissioned orchestration that updates Liszt's concerto version. Hamelin is himself a formidable pianist-composer, as heard in the rich counterpoint of his Passacaglia, and the unflinchingly honest final sonata from Schubert allows the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Marc-André Hamelin, a pianist praised for his “commanding technique” along with his “warmth and affection” (NY Times), shares the stage with Orpheus in his first appearance at the Hop. He navigates the emotionally and physically draining Wanderer Fantasy in a newly commissioned orchestration that updates Liszt's concerto version. Hamelin is himself a formidable pianist-composer, as heard in the rich counterpoint of his Passacaglia, and the unflinchingly honest final sonata from Schubert allows the orchestra to flesh out sounds and emotions buried within these piano masterpieces.

Violinist and Gramophone Young Artist of the Year Stella Chen ventures into the sultry, scintillating tango atmosphere of Piazzolla’s Four Seasons of Buenos Aires. Tune into hidden nuances in the wondrous counterpoint of Bach’s Goldberg Variations, and let the richness of the Orpheus strings carry you on a timeless reverie through Villa-Lobos’ Aria from Bachianas Brasilieras No. 5.

Violinist and Gramophone Young Artist of the Year Stella Chen ventures into the sultry, scintillating tango atmosphere of Piazzolla’s Four Seasons of Buenos Aires. Tune into hidden nuances in the wondrous counterpoint of Bach’s Goldberg Variations, and let the richness of the Orpheus strings carry you on a timeless reverie through Villa-Lobos’ Aria from Bachianas Brasilieras No. 5.

Violinist and Gramophone Young Artist of the Year Stella Chen ventures into the sultry, scintillating tango atmosphere of Piazzolla’s Four Seasons of Buenos Aires. Tune into hidden nuances in the wondrous counterpoint of Bach’s Goldberg Variations, and let the richness of the Orpheus strings carry you on a timeless reverie through Villa-Lobos’ Aria from Bachianas Brasilieras No. 5.

Violinist and Gramophone Young Artist of the Year Stella Chen ventures into the sultry, scintillating tango atmosphere of Piazzolla’s Four Seasons of Buenos Aires. Tune into hidden nuances in the wondrous counterpoint of Bach’s Goldberg Variations, and let the richness of the Orpheus strings carry you on a timeless reverie through Villa-Lobos’ Aria from Bachianas Brasilieras No. 5.

Art Bath's signature eclectic programming casts a spotlight on female voices and genre-bending music and opera.

Featuring:​

Lisel | Experimental Vocalist and Composer

Matthew Jamal |  Composer and Cellist

Isabelle Ai Durrenberger | Violinist

Dual Rivet | Contemporary dance duo

Matthew Steffens | Choreographer
Luc Xu Cheng | Pianist
Jasmine Rice Labeija | Drag diva, operatic tenor

Machine Dazzle | Designer, Performance Artist, Painter

Art Bath's signature eclectic programming casts a spotlight on female voices and genre-bending music and opera.

Featuring:​

Lisel | Experimental Vocalist and Composer

Matthew Jamal |  Composer and Cellist

Isabelle Ai Durrenberger | Violinist

Dual Rivet | Contemporary dance duo

Matthew Steffens | Choreographer
Luc Xu Cheng | Pianist
Jasmine Rice Labeija | Drag diva, operatic tenor

Machine Dazzle | Designer, Performance Artist, Painter

An exhilarating evening of timeless music by Bach and Vivaldi! Experience the icy intensity and vivid imagery of Vivaldi’s Four Seasons “Winter” followed by the elegance and virtuosity of three magnificent violin concertos by J. S. Bach. From shimmering textures to breathtaking melodies, this program promises both emotional depth and electrifying energy — an unforgettable night of chamber music!

Artists:

Doori Na, Isabelle Durrenberger, Karla Donehew Perez, Min-Young Kim,violin

Tanner Menees, viola

Mihai Marica, cello

Maggie Cox, bass

Eliot Goldmund, harpsichord

A Holiday Soirée with the Aeolus Quartet!

Celebrate the season with music, connection, and joy at this intimate chamber concert on Sunday, December 7. Hosted by Karen and Cliff Deveney in their lovely Eastmoreland home, this private gathering features the acclaimed Aeolus Quartet, including audience favorite Isabelle Ai Durrenberger, returning fresh from our Summer Festival.

Experience the magic of live chamber music in this up-close-and-personal setting—the same way it was originally heard. Enjoy seasonal fare, festive drinks, and community with fellow music lovers, knowing that every dollar of your ticket purchase gives back. All proceeds support CMNW’s free Education & Community Engagement programs, bringing the joy of music to underserved communities throughout our region. 

QUARTET IN SPOTLIGHT

Beethoven String Quartet No. 1 in F major, Op. 18, No. 1‍

Bacewicz String Quartet No. 3

INTERMISSION‍

Dvořàk String Quartet No. 13 in G major, Op. 106

The award-winning Aeolus Quartet, makes their ECM debut with a vibrant program featuring Beethoven, Bacewicz, and Dvořák. Dedicated to sharing the joy of chamber music with new audiences, their highly anticipated performance will be a memorable evening of luscious string quartet music.

LATE NIGHT SESSION

Beethoven String Quartet No. 1 in F major, Op. 18, No. 1‍

Bacewicz String Quartet No. 3

INTERMISSION‍

Dvořàk String Quartet No. 13 in G major, Op. 106

The award-winning Aeolus Quartet, makes their ECM debut with a vibrant program featuring Beethoven, Bacewicz, and Dvořák. Dedicated to sharing the joy of chamber music with new audiences, their highly anticipated performance will be a memorable evening of luscious string quartet music.

Michael Brown, piano

Jennifer Frautschi, violin

Isabelle Durrenberger, violin

Milena Pajaro-van de Stadt, viola

Brannon Cho, cello

Sooyun Kim, flute

Roni Gal-Ed, oboe

Vadim Lando, clarinet

Karl Kramer, horn

Gina Cuffari, bassoon

Michael Brown, piano

Jennifer Frautschi, violin

Isabelle Durrenberger, violin

Milena Pajaro-van de Stadt, viola

Brannon Cho, cello

Sooyun Kim, flute

Roni Gal-Ed, oboe

Vadim Lando, clarinet

Karl Kramer, horn

Gina Cuffari, bassoon

Georg Muffat | Passacaglia 
Lembit Beecher | “These Memories May be True,” arr for string orchestra 
Adolphus Hailstork | Sonata da Chiesa
Béla Bartok | Divertimento for String Orchestra

Curated by Crier Miki Cloud

Lineage traces a line through history, family, and transformation. This is a program about what remains true within the histories we don’t just recall, but build on.

We begin with Georg Muffat’s Passacaglia, a baroque masterpiece built on unceasing variation—a musical form that grounds the listener even as it evolves. Lembit Beecher’s These Memories May Be True, reimagined for string orchestra, explores the murky space between fact and family folklore, where meaning lives not in accuracy but in transmission. Hailstork’s Sonata da Chiesa reflects the composer’s fascination with cathedrals, particularly the one (the Cathedral of All Saints in Albany, New York) in which he was a chorister as a child. And Bartók’s Divertimento for String Orchestra, the first major work ever performed by A Far Cry, returns not as nostalgia, but as a touchstone—vivid, visceral, and alive.